5.22.2017

Surface Design: Hold & Release




Hold & Release Chain design printed large on crepe fabric,
and grandma Ruth's fabric carrots.


5.02.2017

THRESH. HOLD.


Currently, 7 of my paintings, 8 pattern designs on fabric, 1 pattern on wallpaper, 5 mixed-material paintings on vintage doors, and a video, are on display in the 2-person show THRESH. HOLD. at the Great River Arts Main Gallery in Little Falls, Minnesota. I am honored to share this show with friend and amazing photographer Laura Grisamore of Lauralee Photography, and pleased with how our work complements each other! 
Just after installing the the show.
Between Us and Morning Light painting, lower right.
Also, the two fabric designs that were created from that painting.

Sheila's Flames, mixed-materials on vintage door.
Right, Dream Dots pattern on wallpaper.

Just after installing the show.
Painting on bottom left, Between Summer Warmth & Quiet.
Top, Summer Strata pattern on fabric created from the painting.
Bottom right, Laura Grisamore's digital photo fusion.

Artist Statement, Tiffany Besonen

For me, creating metaphor is a process of rediscovering how everything and everyone is connected. My work for THRESH. HOLD. is diverse in materials, but all deeply connected.


Doors in my work began during a time of grieving for our family. As I photographed, drew, and began to paint doors and thresholds, I discovered that the 'space in between' of a threshold isn't inside or out, here or there, but a connection (or division) of the two. Later, I rediscovered a photo that our daughter had taken from behind my husband and me, as we overlooked a lake. All of the paintings on canvas in this exhibit began with this visual format, our silhouettes and the space in between. The watery shape in between us has intrigued me for years; like a threshold, that space connects us, yet reveals our differences. Repeating that visual format in all seven of these paintings, freed me to be more spontaneous with color, line, shape, and motion.


When the ‘space in between’ paintings were done, I photographed details, and digitally created patterns. Eight of these patterns have been printed on fabric and one on wallpaper by spoonflower.com for this exhibit. I have always wanted to design fabrics! There is something soothing about patterns, and something especially uplifting about colorful patterns on soft fabrics. Creating these patterns digitally has been a great lesson for me in giving up control; beauty is often revealed in the most spontaneous and unexpected ways. The short film Thresh. Hold. Release. became an extension of that lesson in spontaneity, with the contemplative and hopeful music of Mark Hartung (1971-2015) completing the film.

My THRESH. HOLD. work culminated with the five mixed-material, free-standing doors. I am giving each one of these doors to a different family, in memory of someone they have lost. Each door began when I asked the family to choose a color that reminded them of their loved one, and from there I began painting on the vintage doors without much of a plan, only positive thoughts and memories. Half way through the painting process, I took photos and made the digital patterns that became the patterned wallpaper on each door. For me, these doors have become celebrations. When we find ourselves on the threshold of loss or change, may we be kind to ourselves; may we accept what we can not control and somehow find freedom, beauty, and hope in that.