a time of transition in my work can be a tense, messy process,
but this time it was well worth the effort. Writing this artist
statement (below) really helped gain understanding of where
my work has been. The two pieces mentioned below will be in
an upcoming exhibit at the Cyrus Running Gallery at Concordia
College, Moorhead, Minnesota in September 2011.
More More detail
As a mixed-medium artist, I work both two and three-dimensionally; my sculptures and paintings seem to fuel one another. My recent paintings and sculptures are examining how we all are connected to each other, as well needing a connection to nature. For the last seven years, I have been working with sewing pattern paper as my primary material, inventing processes to use the material without losing its delicate and translucent qualities. I enjoy sewing pattern paper’s natural color, graphic markings, and associations with traditional women’s work and craft.
The painting More began as an ode to light, as the womb-like pear form was painted to allow light and color through the translucent paper. As it continued, I chose to repeat the block-printed word “more” and it quickly became a statement or challenge. Are we all sheep? Or can we resist the demand upon us to have and do more, and more fully appreciate the natural abundance all around us?
Once I began suspending my strings of pear-forms, I was brought back to my first fascinations with the balance and movement of Alexander Calder’s mobiles. In Pear Helix, the empty space becomes just as important as the forms themselves. To me, the small, connected forms are an intertwined family.
Pear Helix Pear Helix detail